• All Categories,  General News,  Training/Testing,  Workflow

    Assignment Workshop

    On Saturday I attended an assignment workshop with the London Strobist guys ‘n gals. The talk was by Tom Miles which was based on a touring roadshow lecture that he’d been giving to uni’s around the UK and sponsored by Calumet and Nikon At the end of his talk he handed out a mock assignment which we had to complete within 3 hours. This included pictures, invoice and licensing forms.

    The assignment list was:

    • Portrait of a business person
    • A sports shoe
    • Family group
    • A retail park/industrial estate/shopping mall
    • The Hat

    Here’s my diary of events……

    12:05 – Assignments in hand, I decide to do "A Sports Shoe"

    12:10 – Speak to a couple of guys and we decide to team up. Rams wants to do the Sport shoe too and Rich is not yet decided.

    12:15 – We go looking for a nearby sports shop andRich decides to go on his own to get the business person shot. I’m secrety relieved as 2 subjects would be too much in a short time, so it’s just Rams and me… we head off looking for a sports shop.

    12:25 – I formulate my shot in my head, 1st shot will be a product shot then the second one an action shot. We’re walking past a lot of furniture shops with dining tables etc in the window displays and I look in with envy as I’ll need a clean surface to shoot the product images.

    I have a brainwave and decide to use my (black) car roof as the ‘reflective table’. My lights and grip gear are in the boot, I know I’ll get a more interesting background in the and we’ll be close to Calumet which eliminates any remaining travel time/stress getting back to finish the assignment. Keep it simple πŸ™‚

    12:35 – Rams decides he wants to shoot "The Hat". We discuss ideas around the hat and what shots he can do with it.

    12:45 – We end up walking 1.5 miles(!) to Oxford Street to find the nearest sports shop for some shoes and a maybe the hat. I calculate we have to be done by 14:15 to pack, edit and deliver the shots by 15:00. Fortunately I started my stopwatch when we set off so I knew how long it took to get here, but I’m still getting nervous.

    12:55 – Rams decides he wants to do a more classy shot with a hat so opts not to get a cap. I’m a bit worried that he may want/need a female model if he’s wanting a more classy image and he’s still not decided on the shot.

    13:05 – We finally get out the shop. 1pm on a Saturday afternoon with a 50% sale and lazy staff don’t help get us out the door quickly. I chose a size 8 (Ram’s size) light tan/white shoe as this should contrast well with the black car roof. We also picked up a t-shirt and a football to use as props.

    13:10 – We dip into a Boots on the way back. I know I’m using the car, so I grab a couple of bottles of water and tissues so I can clean the filth off and we grab a couple of sandwiches to munch after the assignment (and on a separate receipt as they weren’t expensed πŸ˜‰ )

    13:25 – Off the main street and no more shops, so I don’t think Rams will get his assignment. I convince him to enter the shoe image together.

    13:35 – 1 wrong turn, but we finally get back to the (thankyou mobile GoogleMaps) and dump the bags in the car. I eye the roof and quickly pick 2 decent background shots. Rams has his sandwich to keep his sugar levels up (don’t think he’s used to walking 3 miles πŸ˜‰ ) meanwhile I water and clean the roof in the area we’ll use and throw up 2 light stands. I attach an SB900 and shoot-thru umbrella on swivvel adapters to each stand and hook a PocketWizard on each.

    13:45 – Getting nervous as it’s taken 90minutes just to get to the point where we can start taking shots. In the real world we would have been given the shoes and then have 2-3 hours to make the shots, but not today I want to be done by 14:15, so that’s only 30 minutes to make something…. I’m watching the clock

    13:48 – First shot taken using the 70-200 (@102mm). Ambient is showing 1/80, f/11 @ISO400. Tom’s walking back from lunch and calls over that we haven’t gone very far (if only he knew…)

    13:50 – Adjusted the ambient down 2 stops (1/160s @ f/16) then switched on the PocketWizards. Set the closest, almost overhead, SB900 to 1/4 and the far away rimlight SB900 to 1/1. The 70-200is struggling to focus at such a short range, so I have to manually pull focus with the DOF preview to ensure the front of the shoe is sharp and hope f/16 will be carry it all the way back. Re-composeto 80mm to make sure. Shoot, chimp, gravy πŸ™‚

    I know I’ll be cropping the frame so I’m not worried about the roof gutter being in the shot

    13:56 – I swing 180deg so I now have the Calumet Loading doors behind the shoes. I recompose them using the water bottle cap and my umbrella to prop them up. I show the sole of one shoe as it may be their USP. I would normally be told by the disigner or AD in a pre-meeting, but as they’re fictional I have to cover the bases.

    The loading doors are angular, so I dig out my SB800 and gaffer on a red gel and PocketWizard and ask Rams (whoes now digesting πŸ™‚ ) to be a VAL and aim the flash sideways and pointing 30deg towards the far end of the doors to feather the light. I initially set this at 1/4 @ 105mm to try and keep a deep red. 1st test shot:

    Shoes need a wee bit of a tweak and the red isn’t strong enough for my liking. The ambient is wiping it out so I ramp it up to full power. Bingo πŸ™‚

     

    I also shoot it portrait so theoretical copy/text could be used above them (to give the fictional Art Director some options):

    The ‘product’ type shots are ok, but we need to crack on so I get Rams to slip on the shoes and football t-shirt. Meanwhile I quicky scout over the road to a couple of areas that may have potential. I see the sun poking out over a rooftop and decide to shoot against it.

    14:05 – Swap to my 24-70, put the camera in active focus mode and remove one of the SB900 umbrellas as I know I’ll need a hard light to combat the sun. We cart the lights and football over to the second ‘location’. I put the, still red gelled, SB800 on the floor by the brick wall and aim it up at about 1/2 power and 75mm zoom. The bare SB900 is set to 200mm and 1/4 power.

    I move it slightly behind Rams to act as the rim light against the sun. I’m kicking myself that I didn’t bring a Justin Clamp to mount the flash sideways, but we don’t have time to run back and get it – got to keep moving. The SB900 with the umbrella is set to 1/1 and is slightly to my right – 180deg from the sun and acting as a softer fill light.

    14:08 – First test shot. Need to try and pull the Aperture down to give the flashes a chance against the sun, but the PocketWizards are acting up(?). Test triggering is ok, but Camera triggering isn’t working. Very odd – never had a problem with them before. Switch it round with the one on the nearest SB900 and we’re back in action.

    14:11– Tweak settings and get a solid 1/250s @f/16 @ISO400 (ouch)

    I move Rams and the lights 5ft left to use the sun as a left rim and to get some more environment. Also change settings to 1/250 @ f/11 @ISO200

    14:12 – Test shot …. looks alright. Sun is slightly dipped behind the building, but is filling Ram’s left side now and creating a clean rim light on his head.

    14:13 – I tweak the bare SB900 to 1/2 power as I want that rim light stronger and to give him more room to move about. Start shooting him doing keepy-up and trying to avoid pedestians in the shots. I also have to make a mad dash to save my Umbrella SB900 from tipping in the breeze and catch it (just) I reel off full length and cropped. I also get him to face me and lift his feet up to show me the sole a bit more in case it’s the fictional USP.

    I can hear the SB900 and SB800 dumping. I’m trying to rush, but have to consciously wait 4s between shots. The SB800 is struggling to keep up, but I actually prefer it with the red more as an accent to the brick. No time to change it to to 1/4 power…. just shoot quicker so it doesn’t re-charge enough for a full power flash. SB900s are performing amazingly

    14:18 – 5 minutes later and it’s a wrap. We have to pack up, like, NOW, so we peg it back to the car and strip the stands and put everything back where it belongs. Annoyingly I manage to break one of the PocketWizards, but I fixed it later that night with some glue.

    14:30 – We head back into the room and I fire up my old Acer Laptop. Meanwhile I grab my card reader out and pack the camera in it’s bag. Some others are editing too and Rams goes to chat.

    14:35 – Laptop boots up and I download the card to Lightroom. Only 64 images including set-up tests. No big surprise as I tend not to waste card space

    14:40 – I make my initial selection of about 15 and then switch to full screen to preview them with and then whittle out the ones I’m less keen on.

    14:42 – Running out of time, so cull a couple extra and have 7 images left to edit.

    14:44 – Disaster. The laptop hangs when trying to export the Raw to Photoshop. Too much data for my old laptop to cope with (my editing desktop does it in seconds πŸ™ )

    14:46 – Manage to kill the hanging apps and do a manual .Tiff export. Needs to be 8bit for speed and because they’re to be delivered as .jpg.

    14:47 – Slow to export, but I finally get the first image to start editing. I use one of my quick-edit Photoshop Actions which uses blending layer modes to selectivly boost contrast and also apply a selective tonemap. Resize and save as jpg. 6 more to go, meanwhile I’m trying to tell Rams what expenses, use and licensing to write on the invoice.

    14:58 – Last image complete. USB keyring in (no time to burn to CD)

    14:59 – Deliver edited and original images + invoice with receipts to Tom. We then got kicked out while they review the assignment shots from everyone. I meandered outside with my sandwich and reflected on the last few hours and weighed up how we coped with a short shooting schedule.

    The only thing I could compare it to is shooting a wedding where there’s constant deadlines through the day, but somehow this seemed more intense as we really only had 30 minutes to shoot in what should have been 2+ hours. I wasn’t extatic about the images as they would have been far more polished (esp the product shots) with more time, but in retrospect I knew I did the best I could in the 30 mins we had so I was content enough.

    Here’s the final selection with the quick edit we delivered.

    Tom reviewed our shots and gave us very positive feedback which was a relief and good to hear.
    Interestingly he mentioned that the cropped shots were better as you detract from the product when you see the person’s face.

    Afterwords Tom looked at my portfolio, really like it and gave me a couple of tips which were the icing on the cake for the day.

  • All Categories,  Gear,  Training/Testing,  Workflow

    Testing new Gear – Triflector and Lastolite EZYBOX (20″)

    Got a whole bunch of new grip and lighting gear over the last few days and found a bit of time to do some basic testing in between paperwork to save my sanity before I go stir crazy. Managed to entice Prabha to stand in as model for the tests with promises of tea and cake as payment (she’s easily pleased πŸ™‚ ) Here was the setup:

    My impression of the ezybox is that it’s miles better than straight flash (obviously), but I prefer the feel and softer fall-off you get with shoot-through umbrellas. Overall though I was quite pleased with the results and I’m sure I will find a use for it when I want a slightly more sculpted shadow on the subject.

    1 big downside. My SB-900 doesn’t fit into the ezybox coldshoe(!), so I had to use an SB-800. This is surprising considering that ithe ezybox is a newish piece of kit and the SB-900 has been available for quite a while.

    <Correction: The SB-900 does fit, I just had to fit it on the other side of the coldshoe as it’s tapered to fit different sizes>

    The Triflector is basically 3 small-med sized triangular reflectors mounted on a 3 legged bracket via rubber grips that let you position them in almost any direction. This gives an interesting catchlight in the eyes and give a more complete wrap of light around the subject.

    Useful if you use just one light as I did here, and a viable alternative to clamshell lighting, although with the amount of coverage it throws back in the face it slightly washes out detail. I can see it being useful for muting the features of subjects with a lot of character in their face (think Gordon Ramsay), but that could defeat the purpose.

    Overall I lean towards clamshell as a soft/beauty method due to it’s increase in control as well as giving slightly more contrast in the face. I can see the triflector will work well if I’m doing something corporate, so it will definitely have a home with me

    Here are a few of the samples with Prabha so you can see the catchlights/shadow detail:

  • All Categories,  Gear

    PocketWizard Limitation ……

    PocketWizard Limitation ……

    If anyone can break the unbreakable, it’s me πŸ™‚

    PocketWizards are amazing peices of gear. 100% reliable (as long as the cables and batteries are good) with an unbeatable range of operation.
    They’re the gold standard for remote camera/flash triggering. But …. I’ve managed to find a flaw.

    I was doing some testing the other day and I’d set up 2 strobes and my camera on a tripod with remote shutter triggering with my Phottix wireless shutter trigger as I wanted more flexability than using my wired Nikon trigger.

    After a few test shots I realised one of the flashes had stopped working. I hit the test button on the camera PocketWizard, but all was well. A few more shots and I realised that the Phottix trigger was interfering with the signal that the PocketWizard was putting out.

    I set the camera to use the 2second timer and hey-presto – all the lights went off as normal.
    The Phottix wireless trigger is a really handy bit of kit, but worth noting that it introduces reliability issues with the UK PocketWizards

  • All Categories,  Work

    ChΓͺne Bleu Wines – Launch Event

    Wow – this is a late one.
    Just back from a corporate event. Chêne Bleu Wines from La Verrière were launching their label in the UK and they were holding the launch party in Belgravia in London (https://www.bottaccio.co.uk/)

    I was working alongside my friend Helen Jones and we both have studio lighting which we both had to bring in order to light this event.

    One area was for after the guests drop in their coats and move through to the wine sampling room so they could try the new range of wines launched on the night.
    Due to some limitations on space we set up my large octabox on one of my Elinchrom heads planted on a tall stand and this was used for the couples/portrait shots as the guests arrived.

    Upstairs we had another 2 Elnchroms set up to light a n area in front of a painted scrim between 2 columns with vases and shrubbery. The theme of the party was Toga and so the Greek look fitted into the rest of the party’s layout nicely. We were using 3 flash heads which left us with our fourth as a backup which was ideal

    None of the studio lights were set to ‘slave’ mode to stop them being triggered by the guest’s cameras and so we were triggering all the flashes with my wireless radio triggers (PocketWizards), but even though we were on 2 separate floors we had to make sure they were in independent channels to ensure we weren’t triggering the other set by mistake.

    PocketWizards (https://www.pocketwizard.com/) are an amazing piece of kit and definitely worth their weight in gold for their versatility, 100% performance and range of operation